Anders Zorn
A Sweden Museum


Anders Zorn's Oil Paintings
Anders Zorn Museum
February 18, 1860 – August 22, 1920.
Anders Zorn

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110,680 paintings total

  

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Anders Zorn
Rosita Mauri
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Anders Zorn

Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | min emma | en premiar | Emma Zorn and Mouche the Dog | Coquelin Cadet | kapprodd |
Related Artists:
Ivan Kramskoi
(June 8 (O.S. May 27), 1837 C April 6 (O.S. March 24), 1887)
FRANCIA, Francesco
Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia
Nash, Paul
English, 1889-1946 Painter, printmaker, designer, writer and photographer. Although he briefly attended the Slade School, London, in 1910, he was essentially self-taught. His first one-man show was held in 1912 at the Carfax Gallery, London, where he showed a set of shadowy landscapes and imaginative drawings that look back to the Pre-Raphaelites and late 19th-century illustration. Between 1910 and 1914 he paid little attention to Post-Impressionism and the modern movements in London.






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